Like most Americans, I would guess, I had never heard of British novelist Andrea Levy before, finding her novel Small Island on the BBC list of the “100 Greatest British Novels,” I decided to read it and put an end to my ignorance. Levy, born in London to parents who had been Jamaican immigrants, spent her career producing six novels that explored the experiences of British Jamaicans. Although her final novel, The Long Song (2010), was short-listed for the prestigious Man Booker prize, it is her penultimate novel, Small Island (2004), that is generally regarded as her most significant. It managed to win the Whitbread Award (now the Costa Book Award), the Orange Prize (now known as the Women’s Prize for Fiction), the Commonwealth Writers’ Prize, and in 2019 was honored by the BBC as one of the “100 Novels that Shaped Our World.” In 2022, Small Island was chosen for inclusion in the “Big Jubilee Read”—a list of 70 books by citizens of the Commonwealth to celebrate Elizabeth II’s platinum jubilee. And to top it off, it comes in as book number 56 (alphabetically) on my own list of the “100 Most Lovable Novels in the English Language.”
Like several of the books on this long list, this one could be called semi-autobiographical. Or to be more accurate, the novel is inspired by the experiences of Levy’s own parents, who like the characters in the novel came to Britain from Jamaica (the “small island” of the title—unless that refers to Great Britain…) soon after the second world war. Her father arrived in Britain in 1948 aboard the HMS Empire Windrush, which famously transported 1,027 West Indian passengers from Jamaica to the Port of Tilbury, most of whom came with the intention of settling in Britain. Though other ships also brought people from British islands in the Caribbean to settle in the U.K., the reputation of the Windrush arrival led to the conventional reference to all British Caribbean immigrants after World War II as the “Windrush generation.” Levy’s mother, who arrived later that same year on a banana boat, was also a Windrush generation immigrant.
Levy’s novel is a story of that generation, as seen through the eyes of four characters—a white couple with a house in London and a black couple who arrive from Jamaica. We see each of them in the “present” of the novel—1948—and also in a backstory, in which we are privy to their private thoughts and emotions. Queenie, the white woman from London, is the first one we meet: the novel opens when she is a young girl visiting the Empire Exhibition (a celebration of the British Empire held in Wembley in 1924-25). Queenie sees Black people here for the first time, and while one of her companions remarks that the Blacks aren’t “civilized” and “can’t understand English,” one of the Blacks shakes her hand and speaks to her in flawless English. The incident is important for shaping Queenie’s later attitudes.
In 1948, Hortense Joseph, a young black woman arriving in London, rings the bell of Queenie’s house at 21 Nevern Street. Hortense’s husband Gilbert has rented a room in the house (Queenie’s neighbors are not happy to have Jamaicans in their neighborhood, but Queenie’s own husband has not yet returned from the war, and she needs the money). Hortense is angry that Gilbert had neglected to pick her up when her boat docked, and is unhappy that their room is so cramped.
Hortense was born in Kingstown, Jamaica, daughter of a wealthy bureaucrat and a maid. She is raised by her father’s wealthy cousins named Roberts, who are strictly religious and domineering, though she becomes very close to their son Michael. At fifteen, Hortense leaves school and becomes a teacher herself in a school run by the missionaries Charles and Stella Ryder. Hortense and Stella are trapped in the school one night by a hurricane, but Michael comes to find them, and Hortense realizes Michael is in love with Stella. Outside, Charles Ryder has been killed in the hurricane when he crashed into a tree, and Hortense tells the gathered crowd that Stella and Michael are alone in the school. Michael, in disgrace, joins the RAF.
During the war, Hortense attends a teaching college and befriends Celia Langley, who has a new boyfriend, Gilbert, who plans to immigrate with her to England. The jealous Hortense tells Gilbert she will pay for his passage to England if he dumps Celia and marries her, and so he does, though he feels no love or her.
Gilbert had joined the RAF to seek adventure. Stationed in Virginia, he had come face to face with blatant racism. Then, in Yorkshire, though he encountered occasional racist comments, he found things more open than in America. He was surprised to find, however, that the average Briton knows nothing about Jamaica, though it is a part of the Empire. And having served the Empire in the military, he naturally expected to be treated with respect when immigrating to England—but finds that his status as a black man outweighs any gratitude for his service. One day he meets Arthur Bligh, Queenie’s father-in-law. Arthur takes him home to meet Queenie, who is surprisingly polite to him. He and Queenie take Arthur to a film, but the usher wants to make Gilbert sit in the back of the theater because it is full of American soldiers. When Gilbert and Queenie object, a fight ensues between black and white soldiers, and when the MPs arrive, Arthur is accidentally shot dead.
Queenie was born in a small town but moved to London to live with her aunt. She meets Bernard Bligh, whom she marries for security rather than love. During the Blitz, refugees from bombed neighborhoods are resettled in Queenie’s neighborhood, and the residents—including Bernard—object, but Queenie shelters refugees in her house and joins a relief organization. Bernard joins the RAF. He leaves his father in Queenie’s care. One day Queenie is asked to house three RAF soldiers at her house while they are on leave. One is Michael Roberts (Hortense’s old crush). Queenie is attracted to him and sleeps with him. The next day he leaves to return to duty, and apparently to go out of her life forever.
Back in 1948, Queenie takes Hortense around to show her the local shops. Queenie imagines that Hortense has never seen actual stores before, while Hortense is appalled at the dowdy clothes British women wear, and the untidiness of the shops. When the two get home, Bernard is on the doorstep.
Bernard’s backstory is quite complicated. Stationed in Bombay when the Japanese surrender, his regiment is moved to Burma. Many of the men object and mount a strike. As punishment, they are sent to Calcutta where a violent Hindu-Muslim conflict, sparked by the British decision to partition India, is raging. One night when Barnard is on guard duty, the barracks catches fire and most of the men die. Bernard, who had tried to put out the fire, is court-martialed for leaving his post and losing his weapon. While waiting for the ship that will take him home from Calcutta, Bernard visits a brothel and afterwards, feeling a lump in his groin, believes he has contracted syphilis and, too ashamed to return home to Queenie, he works as a waiter in Brighton for two years. When he finally sees a doctor, he discovers he never had syphilis at all.
Now that he is home, Bernard is angry to have black tenants in his house. He tells Queenie he wants to evict them and move to the suburbs. Queenie is not sure she wants to continue with this marriage. One day Gilbert and Hortense find Bernard snooping in their room, and Gilbert and Bernard begin to fight. Queenie tries to stop the fight but suddenly doubles over in pain. While the men pound on the door downstairs to find out what is happening, Hortense helps Queenie, who tells her she’s about to give birth. Obviously the baby is not her husband’s, since he’s just arrived home. When the baby arrives, it is black.
What Hortense thinks of this, what Bernard thinks of it, whose child it actually is, and what ends up happening to the child I won’t give away here. Suffice it to say that I think most people will find the ending of the novel a surprise, and not an unpleasant one, and that’s one of the reasons the book is as lovable as it is.
Another reason is that the novel’s four protagonists are so well-drawn and relatable. Queenie, who in a way represents England herself, with an allusion to the royal family, is so open and big-hearted that she’s impossible not to like. Gilbert too is very likable. He’s awkward and funny, but a loyal friend to Queenie, and he tries very hard to gently make Hortense see that life in Britain will not be what she expects. Hortense is honestly much more difficult to like. She expects to be treated like a queen by her husband, though she will not sleep with him. She fully expects to be treated with respect and deference in London, having always thought of herself as British and having been raised by a wealthy family in Jamaica, and finds that despite her fine manners and haughty bearing, she is just another black immigrant to the Londoners—on whom she looks down herself for their coarseness and rudeness. And it’s hard to forgive her for her treatment of Michael and Stella, and of poor Gilbert. Yet we are made to understand her reasoning and her feelings, and even to feel with her at times. Most difficult to sympathize with is the openly racist Bernard, though even he has understandable reasons for some of his motives, often stemming from his war and immediate post-war experiences. No one in the novel can truly be called an outright villain.
The changing demographic of Britain in the post-War years, the cross-cultural dynamics of the deconstruction of Empire, are told well in this novel. Levy said about this book:
“If every writer in Britain were to write about the war years there would still be stories to be told, and none of us would have come close to what really happened. It was such an amazing schism in the middle of a century. And Caribbean people got left out of the telling of that story, so I am attempting to put them back into it. But I am not telling it from only a Jamaican point of view. I want to tell stories from the black and white experience. It is a shared history.”
There is a two-episode television adaptation of Small Island, starring Naomie Harris (Oscar nominee for Moonlight in 2017) as Hortense and Benedict Cumberbatch as Bernard, made in 2009 and nominated for five BAFTA Awards. But the inner lives of the characters as revealed in Levy’s novel can’t be duplicated in a TV drama—so read the book first. You’ll be glad you did.